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(“Hate us ’cause we’re beautiful—well, we don’t like you either. At first, the weatherman is predictably bummed, but eventually he uses all the information he’s picked up living the same day over and over to better himself and the lives of those around him, eventually impressing Rita with his change of personality. Norah’s lack of fulfillment isn’t what moves the action here; instead we’re on a search for her best friend and an oh-so-cool band’s secret show, with Nick’s (Michael Cera) hapless band, in his hapless car (a Yugo), through downtown New York City’s music scene.
Watching Bill Murray is fun, watching Bill Murray struggle is really fun, and watching Bill Murray caught in a space-time logjam, wrestling with moral philosophy while pursuing Andie Mac Dowell is the most fun.. It’s a good-time flick, with cheerful performances and the kind of supporting cast (Ari Graynor as the beyond-drunk best friend) that make 90 minutes seem like a brisk 30.
Yes, it was a different era, but this detail can be difficult to ignore. to get past that one little (or gigantic) flaw: Cher plays a widowed bookkeeper in Brooklyn Heights confronting her parents’ infidelity (and fallibility) who—whoops!
That said, there are generations of viewers who consider this the greatest rom-com of all time.. —falls for her fiancé’s younger brother (Nicolas Cage), who sports a prosthetic wooden hand after an accident with a bread slicer.
Their first night together produces one of the great moments in the annals of rom-coms: When Cage tells Cher he loves her, she slaps him, saying “Snap out of it!
” The film portrays a New York that doesn’t really exist anymore—for one thing, Brooklyn Heights is full of bankers now. to make you even more neurotic about your love life:, this is one of those movies that any list of top rom-coms would be remiss without.
Those things aren’t on our minds when we watch this movie (barring an early scene discussing methods of birth control); we think about stomping divots and Richard Gere conquering his fear of heights. Here’s how cute rom-coms were in the 1930s: The entire plot rests on a dog burying a bone of a brontosaurus.
Katharine Hepburn, whom the movie was written for, plays a whimsical, adorable socialite who has become besotted with an otherwise engaged (literally and figuratively) paleontologist, played by Cary Grant, and is trying to keep him around so he won’t go marry some pill.
But maybe you have some reservations about the horrifyingly racist overtones in some of that movie’s scenes, even though you can’t help loving Audrey Hepburn. The initial gathering of candidates was great fun; the subsequent reaping less so. Somewhere we have to draw the line between the actual rom-coms and the coming of age movies, or mysteries, or adventures. Otherwise, you could be making a big mistake, big, huge. Others argue that this line of thinking may confuse what’s depressing with what’s complicated.Here’s director Garry Marshall’s (and Julia Roberts and Richard Gere’s) genius with this film: They make us forget about the various horrors of sex work and instead convince us the whole thing is kind of a lark.This film takes place in the late 1980s; a high-water mark in terms of the HIV crisis.One of these is Alexis Dziena, who plays Nick’s very recent ex-girlfriend: She toyed with him and never appreciated the music mixes he made for her (spoiler: Norah loves them). to inspire some big changes: Is there a rom-com list that doesn’t include this movie?
Her “sexy” dance, in the glaring light of Nick’s high beams, to Hot Chocolate’s “You Sexy Thing” is one of the great falls from grace, and worth the price of admission.. What’s left to say about the 1990 tale of the beautiful, charming prostitute and the Wall Street corporate raider who meet and fall in love?
The moment his grade school classmates stand up and give short peaks into their future (“I used to be a heroin addict; now I’m a methadone addict”). to take an break from yourself:—the story of a European princess, played by Audrey Hepburn, who tires of her duties and runs away from her handlers while visiting Rome—when Joe (Gregory Peck), a reporter showing her the city, puts his arm in the Mouth of Truth (a statue that supposedly bites off the hand of liars) and removes it with his hand missing.