New yorker article on dating
The arbitration scenes—that should be dull, being so terribly static—get their power from the eerie opposition between Eisenberg’s unmoving countenance (his eyebrows hardly ever move; the real Zuckerberg’s eyebrows never move) and Garfield’s imploring disbelief, almost the way Spencer Tracy got all worked up opposite Frederic March’s rigidity in another courtroom epic, Inherit the Wind.Still, Fincher allows himself one sequence of (literal) showboating.Then again, the more time I spend with the tail end of Generation Facebook (in the shape of my students) the more convinced I become that some of the software currently shaping their generation is unworthy of them. From the opening scene it’s clear that this is a movie about 2.0 people made by 1.0 people (Aaron Sorkin and David Fincher, forty-nine and forty-eight respectively).It’s a talkie, for goodness’ sake, with as many words per minute as His Girl Friday.New York City, the largest city in the state, is home to the New York Stock Exchange and is a major international economic center. I must be in Mark Zuckerberg’s generation—there are only nine years between us—but somehow it doesn’t feel that way.It’s a Generation Facebook instinct to expect (hope?
I’m so utterly 1.0 that I spent an hour of the movie trying to detect any difference between the twins.) Their arms move suspiciously fast, faster than real human arms, their muscles seem outlined by a fine pen, the water splashes up in individual droplets as if painted by Caravaggio, and the music!
One of the original 13 colonies, New York played a crucial political and strategic role during the American Revolution.