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That must be torture for the actors to slog through that boring play with 200 people in the audience (on a good night).And SPONGEBOB gets 12 Tony noms and is playing in Times Square at the most desirable theater on Broadway to 40% full houses (on a good night)? Dismal season, indeed.[quote] SAINT JOAN just opened and it's playing to 28% capacity?Awards fall squarely under the 2nd category.[quote] A Tony does bring extra money.When they begin a new show and the producer can put in the advertising "Starring Tony Award Winner..." that equates to extra that a good agent can negotiate with. Richard Mc Cabe, Roger Robinson, Scott Wise, Owen Teale, Lena Hall, Anne Duquesnay, Karen Ziemba, Gretha Boston, Daisy Eagan, Michelle Pawk, Marie Mullen, Deanna Dunagan, Hinton Battle, etc. Whoever called her a soccer mom wedding singer was exactly right. Seems I want to stand up for what’s right versus what is right for their pockets. I’d have been in these trenches fighting with/without fame. End of story.'R111 Christ, I scrolled through a few tweets, the crazy is strong.Boys in the Band is entertaining but the casting is weird. It’s lije her musical director was out to get her by placing her songs so high that she had to scream to stay on pitch in some places. Casting in this is all fucked up.[quote]Parsons should be playing Emory Parsons is too nerdy (inhibited? Isn't Emory the one that jokes he got arrested in the bathhouse for soliciting? Directors and actors all live for this casting against type nonsense.
Jeez, SAINT JOAN just opened and it's playing to 28% capacity?The "cabaret shows" are a separate series in the Appel Room at the Time Warner Center, and they air on Live from Lincoln Center because they are presented by Jazz at Lincoln Center. There was a song about depositing money in the bank. Just stupid and the kids didn't even give a fuck when she left. No modern playwright can touch the intellectual vigor that Shaw possessed.That doesn't mean Live from Lincoln Center will no longer televise shows like ACT ONE and THE NANCE and SOUTH PACIFIC. Kushner tries at least, but I don't think anyone else does because they know they wouldn't get produced. A great cast has been assembled here, including Daniel Sunjata, whom I did not recognize at all till I looked at the Playbill at intermission.The story comes through and you're not bombarded with the musical numbers. Matt Boner's main function is to open the show by showing his ass and walking around in his underwear.
The larger the production, the characters get lost as they just really over expand the musical numbers, even the ones that don't need to be.[quote] I noticed Ashley Day liking an instagram post about Broadway Bares by Jerry Mitchell. But this again only makes it seem as if he's supposed to be a trophy boy when that's not actually who the character is.Plus, they have to play this dreck in the Summer when all the gays flee the city and tourists aren't that jazzed about a non-musical.And just ask Angela Lansbury how well a show does that opens in Summer. [quote]Matt Boner's main function is to open the show by showing his ass and walking around in his underwear.I made it halfway through Stephanie J Block's opening number ("Some People") and turned it off. Is this what Live at Lincoln Center has become, cabaret nights? Even if the productions of Act One and The Nance were far from great, they were still better than Show Tunes 101. I did get a laugh from him tweeting to "fellow celebrities".